Bali 1928: Gamelan Gong Kebyar “ Emergence of Kebyar” Part 1



gamelan-gong-kebyar3

Kebyar came into being around the turn of the century and innovations were brewing between 1910 and 1915 in North Bali’s Buléléng region, the Dutch colonial administration center. Elders in Bungkulan have said that the musical dynamics of Dutch military marching bands influenced the nascient kebyar aesthetic. (Admittedly, the influence seems to have been limited to the element of explosive energy). The late 19th century, throughout the island, witnessed a creative era of Balinese–language gaguritan sung poetry (pupuh) taking on historical, mystical and romantic themes as well as sociopolitical topics expressed through the classical kakawin poetic style in the Old Javanese literary language of Kawi. At the turn of the century, a revival of interest in classical texts led to a plethora of seka papaosan literary clubs emphasizing the skills of recitation in Kawi and translation into the Balinese language using the stylized vocal phrasing of palawakya . Palawakya refers to non–metric prose ucapan ‘spoken’ in broad melodic contours, using either Kawi or alus ‘refined’ or ‘high,’ Balinese language. Literary clubs from different villages would compete against one another before ever–increasing audiences at ceremonial religious events and at night markets.

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Exhibitions and Performances on the First Day of International Conference and Festival Cultural Identity of North Balinese



trunajaya dance

The International Conference and Festival Cultural Identity of North Balinese (30 July – 2 August 2009) is highlighted by painting, handicrafts and photos exhibitions, craftsmanship demonstration by Buleleng’s craftsmen and the performances of Buleleng’s art maestros.

The painting and handicrafts exhibitions as well as the demonstration by Buleleng’s craftsmen take place at the hall of Buleleng’s Cultural and Tourism Department. The painting and handicrafts exhibition is held inside the hall. The painters who participate in this the exhibition are those who born and grew up in Buleleng or spent long period of time there. As for the craftsmanship demonstration it is held outside the hall. The craftsmen who show their skill and talent range from sculptures to the makers of perasi (drawing on processed palm leaf).

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