Lelongoran: Old Gamelan Style from Buleleng



Buleleng one of Bali regency is rich with gamelan repertoires, Lelengoran is one of them. Lelengoran is a gamelan style that is considered as the prototype of the popular Kebyar style. Lelegoran was introduced for the first time in the village of Bungkulan, in East Buleleng around and spread to West Buleleng around 1914.

Lelongoran is used to accompany religious ceremony in the temple and considered as sacred musical style. Though Lelongoran uses pentatonic scale like other Balinese gamelan, but it has a dynamic and explosive characteristic that differentiate it with other gamelan styles from other areas.

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Genjek: Jokes in a Song



One of many social art performances that are originated from Buleleng is Genjek. The word “genjek “is derived from the word “gonjak” means joke. It was born as a kill-time activity; it started through talking and accompanied by the tuak (sweet wine made from the coconut palm flower) then developed to a kind spontaneous singing performance.

Nowadays the genjek can be used as an extension of a person’s artistic expression as well as a medium for relaying information. The rapid popularity of genjek is understanable since one is free to create one’s own lyrics. Joy, is the basic characteristic of genjek, the joy of genjek comes from the lyric of its song. Often these lyrics take the form of love, bawdy jokes on everyday activities, criticism of politics, modern times, people’s changing values and so on. The public can easily relate to these messages, due to genjek’s simple and accessible form. Moreover, genjek lyrics always have the local audience in fits of laughter.

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Rengganis: The Symphony of Silence



One of many unique art performances that can be found in Buleleng is Rengganis. Rengganis is similar to acapella in Western country but Rengganis is not imitation of musical instruments but rather imitation of various frogs’ sounds. The word “rengganis” means “symphony of silence”. The song of Rengganis was created in the style of Dangdang Gula hymn.

The creator of Rengganis, Gusti Made Alit got his inspiration when he guarded the rice in the rice field after a harvest; he heard the sounds of various kinds of frogs like a melody in a silent night. The beauty of this melody inspired him to create the Rengganis.

Rengganis is a social art performance; it is performed to entertain guests in a ceremony or to enliven the atmosphere when drinking tuak.

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The Results of International Conference and Festival Cultural Identity of North Balinese



International Conference and Festival Cultural Identity of North Balinese were held successfully from July 30 to August 2, 2009. The conference formulated four recommendations that are aimed to preserve North Balinese culture. These four recommendations are,

1. There is a need for political will from the government of Buleleng and Bali, the house of representative of Buleleng and Bali, government as well as private institutions, artists, culture connoisseurs and public in general to work hand in hand in preserving North Balinese culture.
2. To promote the passing of bills that protect the preservation and development of North Balinese culture that take their root from government regulation on the preservation North Balinese culture’s legacies.
3. A data base of all North Balinese culture’ aspects especially art troupes, artists, architects, art performance, oral art performance, language, custom, art potential of each village,  and others cultural legacies that is tangible or intangible, needs to be built  through the collaboration of Undiksha, Buleleng government, and Preservation of North Balinese Culture Foundation.
4. An action plan that comprises publication of International Conference and Festival Cultural Identity of North Balinese’s proceedings, WOJ Nieuwenkamp’s sketches and Van der Tuuk picture collections needs to be formulated.

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North and South Bali Collaboration in a Bondres Performance



The International Conference and Festival Cultural Identity of North Balinese was not just all about North Bali but it was also about harmonious synergy between North Bali and South Bali. This harmonious synergy was shown in the collaboration of North and South Bali artists in performing Bondres drama performance (8/1/2009).

I Nyoman Durpa, an artist from Buleleng performed the bondres with three artists from South Bali which are members of RRI (Republic Indonesia’s Radio) bondres troupe. They were accompanied by Dwi Mekar Gamelan Troupe which is led by I Nyoman Durpa. This bondres performance combined humor and advice as well as messages to preserve the local culture.

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